I'm just really sad that I wasted all these hours on this anti-feminist, misogynist, rape culture piece that is filled with veiled excuses for domestic violence and for all it's feeble counter-kyriarchy talk, is just as patriarchal as everything that has ever been wrong with the worst of the paranormal genre, when the book isn't continuing the series' road trip through different genres.
Yes, A Discovery of Witches started strong and with so much mind boggling promise that I got caught up in it. I really thought it might be The Historian with more para. No. So much no. Save your self respect and just don't do it.
Saturday, October 18, 2014
Friday, October 17, 2014
M9B Friday Reveal: Chapter One of Lifer by Beck Nicholas and Giveaway #M9BFridayReveals

Welcome to this week’s M9B Friday Reveal!
This week, we are revealing the first chapter for
Lifer by Beck Nicholas
presented by Month9Books!
Be sure to enter the giveaway found at the end of the post!

Asher is a Lifer, a slave aboard the spaceship Pelican. A member of the lowest rung of society, she must serve the ship’s Officials and Astronauts as punishment for her grandparents' crimes back on Earth. The one thing that made life bearable was her illicit relationship with Samuai, a Fishie boy, but he died alongside her brother in a freak training accident.Still grieving for the loss of her loved ones, Asher is summoned to the upper levels to wait on Lady, the head Official’s wife and Samuai’s mother. It is the perfect opportunity to gather intel for the Lifer’s brewing rebellion. There’s just one problem—the last girl who went to the upper levels never came back.On the other side of the universe, an alien attack has left Earth in shambles and a group called The Company has taken control. Blank wakes up in a pond completely naked and with no memory, not even his real name. So when a hot girl named Megs invites him to a black-market gaming warehouse where winning means information, he doesn’t think twice about playing. But sometimes the past is better left buried.As Asher and Blank’s worlds collide, the truth comes out—everyone has been lied to. Bourne Identity meets Under the Never Sky in this intergalactic tale of love and deception from debut novelist Beck Nicholas.
Title: LIFER
Publication date: December 16, 2014
Publisher: Month9Books, LLC.
Author: Beck Nicholas
Publication date: December 16, 2014
Publisher: Month9Books, LLC.
Author: Beck Nicholas

Chapter One
[Asher]
I mark my body for Samuai.
My right hand is steady as I press the slim needle into my skin. It glints under the soft overhead light of the storage locker, the only place to hide on Starship Pelican. Row upon row of shelving fills the room. Back here I’m hidden from the door.
It’s been seventeen days since Samuai passed. Seventeen days of neutral expressions and stinging eyes, waiting for the chance to be alone and pay my respects to the dead Official boy in true Lifer fashion. With blood.
The body of the needle is wrapped in thread I stole from my spare uniform. The blue thread acts as the ink reservoir. It’s soaked with a dye I made from crushed feed pellets and argobenzene, both swiped from farm level. The pungent fumes sting my eyes and make it even harder to keep the tears at bay. But I will. There will be no disrespect in this marking.
My slipper drops to the floor with the softest of thuds as I shake my foot. I raise it to rest on a cold metal shelf. Samuai always held my hand when we met in secret, but I can’t bear to examine those memories now. The pain of him being gone is still so fresh.
The first break of skin at my ankle hurts a little. Not much, since the needle is nano-designed for single molecule sharpness, and it’s not as though I haven’t done this before. Recently. The tattoo for my brother circles my ankle, completed days ago, a match for the one for my father. My memorial for Samuai had to wait for privacy. The blue spreads out into my skin like liquid on a cloth. The dot is tiny. I add another and another, each time accepting the momentary pain as a tribute to Samuai. Soon I’ve finished the first swirling line.
“Are you mourning my brother or yours?”
My hand jerks at the familiar voice, driving the needle deep into the delicate skin over my Achilles. Davyd’s voice. How did he get in here so quietly? I wince, clamping down on a cry of pain. No tears though. Nothing will make me disrespect Samuai. I remove the needle from my flesh and school my features into a neutral expression before I turn and stand to attention.
“Davyd,” I say by way of greeting. Despite my preparation my throat thickens.
My response to him is stupid because he looks nothing like Samuai. Where Samuai radiated warmth from his spiky dark hair hinting of honey and his deep, golden brown eyes, there is only ice in his brother. Ice-chiseled cheekbones, tousled blond hair, the slight cleft in his chin, and his gray eyes. Eyes that see far too much.
But he’s dressed like Samuai used to dress. The same white t-shirt and black pants. It’s the uniform of Officials, or Fishies, as they’re known below. He’s a little broader in the shoulders than his older brother was—to even think of Samuai in the past tense is agony—and he’s not quite as tall. I only have to look up a little to meet his gaze. I do so without speaking.
I shouldn’t be here, but I’m not going to start apologizing for where I am or his reference to my forbidden relationship with his brother, until I know what he wants.
“Is that supposed to happen?” He points at my foot, where blood drips, forming a tiny puddle on the hard, shiny floor.
His face is expressionless, as usual, but I can hear the conceit in his voice. I can imagine what the son of a Fishie thinks of our Lifer traditions.
Today, I don’t care. Even if his scorn makes my stomach tighten and cheeks flame, I won’t care. Not about anything Davyd has to say.
“It’s none of your business.”
One fine brow arches. Superior, knowing.
He doesn’t have to say the words. The awareness of just how wrong I am zaps between us. Given our relative stations on this journey—he’s destined to be a Fishie in charge of managing the ship’s population, and me to serve my inherited sentence—whatever I do is his business, if he chooses to make it so. He’s in authority even though we’re almost the same age.
In order to gain permission to breed, Lifers allowed the injection of nanobots into their children. These prototype bots in our cells give our masters the power to switch us off using a special Remote Device until our sentence is served. At any time we can be shut down. I’m not sure how exactly, only that each of us has a unique code and the device can turn those particular bots against us. It’s an unseen but constant threat.
I keep my face blank and my posture subservient, but my fingers tighten around the needle in my hand. How I long to slap the smooth skin of his cheek.
For a second, neither of us speaks.
“Your brother or mine?” he asks again. Softly this time. So low, the question is almost intimate in the dim light.
I inhale deeply, welcoming the harsh fumes from my makeshift ink. The burning in my lungs gives me a focus so the ever-present emotional pain can’t cripple me. My brother and my boyfriend were taken on the same day, and I’m unable to properly mourn either thanks to the demands of servitude.
I can’t let it cripple me. Not if I want to find out what really happened to Zed and Samuai.
“Does it matter?” I ask. Rather than refuse him again, I twist the question around. He would never admit to having interest in the goings-on of a mere Lifer.
“No.” His voice is hard. Uncaring. He folds his arms. “But it’s against ship law to deface property.”
It takes a heartbeat, and then I realize I’m the property he’s talking about. My toes curl because my fists can’t. I see from the flick of his eyes to my feet that he’s noticed. Of course he has. There’s nothing Davyd doesn’t notice.
It’s true though. The marks we Lifers make on our bodies are not formally allowed. It is a price we pay for the agreement signed in DNA by our parents and our grandparents. They agreed to a lifetime of servitude, and their sentence is passed down through the generations for the chance at a new life on a new planet. I am the last in the chain, and my sentence will continue for twelve years after landing.
We Lifers belong to those above us, body and soul, but no Fishie or Naut—the astronauts who pilot the ship—has ever tried to stop the ritual. In return we are not blatant. We mark feet, torsos, and thighs. Places hidden by our plain blue clothing.
If the son of the head Fishie reports me, it will go on my record no matter how minor the charge, and possibly add months to my sentence. A sentence I serve for my grandparents’ crimes back on Earth after the Upheaval. Like others, their crime was no more than refusal to hand over their vehicle and property when both were declared a government resource.
I swallow convulsively.
I don’t want that kind of notice. Not when we’re expected to land in my lifetime. Not when I hoped to find answers to the questions that haunt me.
The first lesson a Lifer child learns is control around their superiors. I won’t allow mine to fail me now.
“Did you want something? Sir?”
If there’s a faint pause before the honorific, well, I’m only human.
He lets it pass. “The Lady requires extra help at this time. You have been recommended.”
“Me?”
His lips twist. “I was equally surprised. Attend her now.”
The Lady is the wife of the senior Official on board the Pelican, and both Samuai and Davyd’s mother. She’s a mysterious figure who is never seen in the shared area of the ship. I imagine she’s hurting for her dead child. Sympathy stirs within me. I’ve seen the strain my own mother tries to hide since Zed died, and I don’t think having a higher rank would make the burden any easier to bear.
It’s within Davyd’s scope as both Fishie-in-training and son of the ship’s Lady to be the one to inform me of my new placement, but I can’t help looking for something deeper in his words. There should be a kinship between us, having both lost a brother so recently, but Samuai’s death hasn’t affected Davyd at all.
“Who recommended me?”
He shrugs. “Now. Lifer.”
I nod and move to tidy up, ignoring the persistent pain in my ankle where the needle went too deep. My defiance only stretches so far. Not acting on a direct request would be stupidity. I will finish my memorial for Samuai, but not with his brother waiting. It’s typical that Davyd doesn’t use my name. I can’t remember him or his Fishie friends ever doing so.
It was something that stood out about Samuai from when we were youngsters and met in the training room. It was the only place on the ship us Lifers are close to equal. I was paired to fight with him to first blood, and he shocked me by asking my name. “Asher,” Samuai had repeated, like he tasted something sweet on his tongue, “I like it.”
In my heart there’s an echo of the warmth I felt that day, but the memory hurts. It hurts that I’ll never see him again, that he’ll never live out the dreams we shared in our secret meetings. Dreams of a shared future and changes to a system that makes Lifers less than human.
When I’ve gathered the small inkpot and put on my slippers, I notice a smear of blood on the slipper material from where I slipped earlier. It’s the opportunity I need to let my change in status be known below.
“Umm.” I clear my throat. Please let the stories I’ve heard of the Lady be true.
“What?” asks Davyd from where he waits by the door, presumably to escort me to his mother. The intensity of his gaze makes me quake inside. It’s all I can do not to lift my hand to check my top is correctly buttoned and my hair hasn’t grown beyond the fuzz a Lifer is allowed.
“My foot attire isn’t suitable to serve the Lady.” I point to the faint smudge of brown seeping into my footwear. It is said by those cleaners who are permitted into the Fishie sleeping quarters that the Lady insists her apartment be kept spotless. She’s unlikely to be pleased with me reporting for duty in bloodstained slippers.
Davyd’s jaw tenses. Maybe I’ve pushed him too far with this delay. I hold my breath.
But then his annoyance is gone and his face is the usual smooth mask. “Change. I will be waiting at the lift between the training hall and study rooms.”
He doesn’t need to tell me to hurry.
He opens the door leading out into the hallway and I expect him to stride through and not look back. Again he surprises me. He turns. His face is in shadow. The brighter light behind him shines on his tousled blond hair, which gives him a hint of the angelic.
“Assuming it’s my brother you’re mourning,” his voice is deep and for the first time there’s a slight melting of the ice. “You should know. … He wasn’t worth your pain.”
[Asher]
I mark my body for Samuai.
My right hand is steady as I press the slim needle into my skin. It glints under the soft overhead light of the storage locker, the only place to hide on Starship Pelican. Row upon row of shelving fills the room. Back here I’m hidden from the door.
It’s been seventeen days since Samuai passed. Seventeen days of neutral expressions and stinging eyes, waiting for the chance to be alone and pay my respects to the dead Official boy in true Lifer fashion. With blood.
The body of the needle is wrapped in thread I stole from my spare uniform. The blue thread acts as the ink reservoir. It’s soaked with a dye I made from crushed feed pellets and argobenzene, both swiped from farm level. The pungent fumes sting my eyes and make it even harder to keep the tears at bay. But I will. There will be no disrespect in this marking.
My slipper drops to the floor with the softest of thuds as I shake my foot. I raise it to rest on a cold metal shelf. Samuai always held my hand when we met in secret, but I can’t bear to examine those memories now. The pain of him being gone is still so fresh.
The first break of skin at my ankle hurts a little. Not much, since the needle is nano-designed for single molecule sharpness, and it’s not as though I haven’t done this before. Recently. The tattoo for my brother circles my ankle, completed days ago, a match for the one for my father. My memorial for Samuai had to wait for privacy. The blue spreads out into my skin like liquid on a cloth. The dot is tiny. I add another and another, each time accepting the momentary pain as a tribute to Samuai. Soon I’ve finished the first swirling line.
“Are you mourning my brother or yours?”
My hand jerks at the familiar voice, driving the needle deep into the delicate skin over my Achilles. Davyd’s voice. How did he get in here so quietly? I wince, clamping down on a cry of pain. No tears though. Nothing will make me disrespect Samuai. I remove the needle from my flesh and school my features into a neutral expression before I turn and stand to attention.
“Davyd,” I say by way of greeting. Despite my preparation my throat thickens.
My response to him is stupid because he looks nothing like Samuai. Where Samuai radiated warmth from his spiky dark hair hinting of honey and his deep, golden brown eyes, there is only ice in his brother. Ice-chiseled cheekbones, tousled blond hair, the slight cleft in his chin, and his gray eyes. Eyes that see far too much.
But he’s dressed like Samuai used to dress. The same white t-shirt and black pants. It’s the uniform of Officials, or Fishies, as they’re known below. He’s a little broader in the shoulders than his older brother was—to even think of Samuai in the past tense is agony—and he’s not quite as tall. I only have to look up a little to meet his gaze. I do so without speaking.
I shouldn’t be here, but I’m not going to start apologizing for where I am or his reference to my forbidden relationship with his brother, until I know what he wants.
“Is that supposed to happen?” He points at my foot, where blood drips, forming a tiny puddle on the hard, shiny floor.
His face is expressionless, as usual, but I can hear the conceit in his voice. I can imagine what the son of a Fishie thinks of our Lifer traditions.
Today, I don’t care. Even if his scorn makes my stomach tighten and cheeks flame, I won’t care. Not about anything Davyd has to say.
“It’s none of your business.”
One fine brow arches. Superior, knowing.
He doesn’t have to say the words. The awareness of just how wrong I am zaps between us. Given our relative stations on this journey—he’s destined to be a Fishie in charge of managing the ship’s population, and me to serve my inherited sentence—whatever I do is his business, if he chooses to make it so. He’s in authority even though we’re almost the same age.
In order to gain permission to breed, Lifers allowed the injection of nanobots into their children. These prototype bots in our cells give our masters the power to switch us off using a special Remote Device until our sentence is served. At any time we can be shut down. I’m not sure how exactly, only that each of us has a unique code and the device can turn those particular bots against us. It’s an unseen but constant threat.
I keep my face blank and my posture subservient, but my fingers tighten around the needle in my hand. How I long to slap the smooth skin of his cheek.
For a second, neither of us speaks.
“Your brother or mine?” he asks again. Softly this time. So low, the question is almost intimate in the dim light.
I inhale deeply, welcoming the harsh fumes from my makeshift ink. The burning in my lungs gives me a focus so the ever-present emotional pain can’t cripple me. My brother and my boyfriend were taken on the same day, and I’m unable to properly mourn either thanks to the demands of servitude.
I can’t let it cripple me. Not if I want to find out what really happened to Zed and Samuai.
“Does it matter?” I ask. Rather than refuse him again, I twist the question around. He would never admit to having interest in the goings-on of a mere Lifer.
“No.” His voice is hard. Uncaring. He folds his arms. “But it’s against ship law to deface property.”
It takes a heartbeat, and then I realize I’m the property he’s talking about. My toes curl because my fists can’t. I see from the flick of his eyes to my feet that he’s noticed. Of course he has. There’s nothing Davyd doesn’t notice.
It’s true though. The marks we Lifers make on our bodies are not formally allowed. It is a price we pay for the agreement signed in DNA by our parents and our grandparents. They agreed to a lifetime of servitude, and their sentence is passed down through the generations for the chance at a new life on a new planet. I am the last in the chain, and my sentence will continue for twelve years after landing.
We Lifers belong to those above us, body and soul, but no Fishie or Naut—the astronauts who pilot the ship—has ever tried to stop the ritual. In return we are not blatant. We mark feet, torsos, and thighs. Places hidden by our plain blue clothing.
If the son of the head Fishie reports me, it will go on my record no matter how minor the charge, and possibly add months to my sentence. A sentence I serve for my grandparents’ crimes back on Earth after the Upheaval. Like others, their crime was no more than refusal to hand over their vehicle and property when both were declared a government resource.
I swallow convulsively.
I don’t want that kind of notice. Not when we’re expected to land in my lifetime. Not when I hoped to find answers to the questions that haunt me.
The first lesson a Lifer child learns is control around their superiors. I won’t allow mine to fail me now.
“Did you want something? Sir?”
If there’s a faint pause before the honorific, well, I’m only human.
He lets it pass. “The Lady requires extra help at this time. You have been recommended.”
“Me?”
His lips twist. “I was equally surprised. Attend her now.”
The Lady is the wife of the senior Official on board the Pelican, and both Samuai and Davyd’s mother. She’s a mysterious figure who is never seen in the shared area of the ship. I imagine she’s hurting for her dead child. Sympathy stirs within me. I’ve seen the strain my own mother tries to hide since Zed died, and I don’t think having a higher rank would make the burden any easier to bear.
It’s within Davyd’s scope as both Fishie-in-training and son of the ship’s Lady to be the one to inform me of my new placement, but I can’t help looking for something deeper in his words. There should be a kinship between us, having both lost a brother so recently, but Samuai’s death hasn’t affected Davyd at all.
“Who recommended me?”
He shrugs. “Now. Lifer.”
I nod and move to tidy up, ignoring the persistent pain in my ankle where the needle went too deep. My defiance only stretches so far. Not acting on a direct request would be stupidity. I will finish my memorial for Samuai, but not with his brother waiting. It’s typical that Davyd doesn’t use my name. I can’t remember him or his Fishie friends ever doing so.
It was something that stood out about Samuai from when we were youngsters and met in the training room. It was the only place on the ship us Lifers are close to equal. I was paired to fight with him to first blood, and he shocked me by asking my name. “Asher,” Samuai had repeated, like he tasted something sweet on his tongue, “I like it.”
In my heart there’s an echo of the warmth I felt that day, but the memory hurts. It hurts that I’ll never see him again, that he’ll never live out the dreams we shared in our secret meetings. Dreams of a shared future and changes to a system that makes Lifers less than human.
When I’ve gathered the small inkpot and put on my slippers, I notice a smear of blood on the slipper material from where I slipped earlier. It’s the opportunity I need to let my change in status be known below.
“Umm.” I clear my throat. Please let the stories I’ve heard of the Lady be true.
“What?” asks Davyd from where he waits by the door, presumably to escort me to his mother. The intensity of his gaze makes me quake inside. It’s all I can do not to lift my hand to check my top is correctly buttoned and my hair hasn’t grown beyond the fuzz a Lifer is allowed.
“My foot attire isn’t suitable to serve the Lady.” I point to the faint smudge of brown seeping into my footwear. It is said by those cleaners who are permitted into the Fishie sleeping quarters that the Lady insists her apartment be kept spotless. She’s unlikely to be pleased with me reporting for duty in bloodstained slippers.
Davyd’s jaw tenses. Maybe I’ve pushed him too far with this delay. I hold my breath.
But then his annoyance is gone and his face is the usual smooth mask. “Change. I will be waiting at the lift between the training hall and study rooms.”
He doesn’t need to tell me to hurry.
He opens the door leading out into the hallway and I expect him to stride through and not look back. Again he surprises me. He turns. His face is in shadow. The brighter light behind him shines on his tousled blond hair, which gives him a hint of the angelic.
“Assuming it’s my brother you’re mourning,” his voice is deep and for the first time there’s a slight melting of the ice. “You should know. … He wasn’t worth your pain.”


I always wanted to write. I’ve worked as a lab assistant, a pizza delivery driver and a high school teacher but I always pursued my first dream of creating stories. Now, I live with my family near Adelaide, halfway between the city and the sea, and am lucky to spend my days (and nights) writing young adult fiction.

Complete the Rafflecopter below for a chance to win!
The book will be sent upon the titles release.
Monday, September 22, 2014
A Murder of Magpies
One for sorrow,
two for joy.
A destructive girl,
a damaged boy.
Sarah Bromley knows how to create an atmosphere, draw a reader in, and ease them into her grip until they're so firmly in it that they can't break free, even to get some more tea. Her magic is in the details.
A Murder of Magpies is the story of Vayda, a girl whose family is running from a past so horrifying they dare not even use their names, her brother Jonah, who struggles against the power inside him, his ties to his family, and a yearning to fit in, and Ward, a boy whose utterly dysfunctional home life has left him broken on the inside in more ways than one. I found it ironic that throughout A Murder of Magpies, Vayda, who is so much an outsider to the tiny town of Black Orchard, Wisconsin that she'd been there three years without making a real friend, repeatedly pushed Ward away calling him gadjo- outsider.
The use of body language, in and of itself, made this a worthwhile read. Bromley pays keen attention to detail in constructing her story, which is filled with subtle foreshadowing, wonderful relevant glimpses of backstory, and although it spans several states, the cast of characters and locations are kept few enough to infuse them with a wealth of character and detail.
A strength of A Murder of Magpies lies in the way it deals with uncomfortable territory. Two of the strongest themes in the book which will unsettle readers and give them food for thought and conversation are bullying and consent, which is why I recommend it for book clubs, because there is a wealth of conversation material between the covers. A Murder of Magpies explores the boundaries of will and ethics, probing each character's moral fiber, as well as the reader's. Of course, the dialog the reader has with herself is always more telling than the one she would have with a group of people, but I think it would be hard to walk away from this book without having examined their own view of right and wrong a little more closely.
Regarding consent, A Murder of Magpies deals with consent in a wide spectrum of manifestations, from question of sexual consent to other venues in which one's will can be subverted. Bromley treads boldly, but respectfully into uncomfortable territory, and I respect the choice. Moreover, her portrayal of bullying and the violent undertow of an environment that nurtures bullying struck me as important to the culture in which her characters and readers coexist.
I like that the characters she's created are bookish, even if they're not great students or terribly great with authority. I like that because her readers are probably bookish, because heck, they're reading, right? I like that Vayda and Ward could nearly be any of the readers if their lives were just 7% more peculiar. Vayda is easy to relate to without coming off as a hollow character (ahem, Bella Swan), and Ward too feels like he's just a step removed from so many people while remaining an individual. Even the antagonists rise above archetypes, and it makes for a good read.
I was very fortunate to be able to read an ARC of A Murder of Magpies. I'd gotten my hands on the three chapter teaser in the spring and was desperate to get my hands on the full manuscript. I plan to buy a signed copy for my bookshelf in the near future, like, you know, when it's available to purchase.
Labels:
ARC,
creepy,
Gothic,
gypsies,
Month9Books,
Murder of Magpies,
reviews,
Sarah Bromley,
YA
Saturday, September 6, 2014
Crown of Ice
In the tradition of Wicked and the short but well made NBC series Dracula, Crown of Ice, by Vicki Weavil, brings us the time honored tale of the Ice Queen from her perspective- rewriting villain as protagonist and challenging the reader to reassess their own moral compass as they navigate the frozen terrain of difficult choices on a quest to solve what might be one of the most difficult math problems in the history of YA.I don't know if I liked it best for it's ethical challenges or for the way in which Weavil writes the ice into the heart of Thyra. Much like a freezer, Crown of Ice kept things fresh by supplying me with characters who behave in unpredictable ways (despite this being a retelling of one of my favorite stories) because, particularly in the Snow Queen's case, her actions are just so far outside my box of expectation. When faced with a problem, if I'd solve it by stepping left to avoid it, she'll solve it by walking into it or doing something so unpredictable I can't even predict it enough to give an example.
At the heart of Crown of Ice lie tried and true themes: volition, honesty, and the balance between ends and means. While a thread of romance ties the tale together, it doesn't overpower the rest of the story. This is the sort of story I recommend when longing for snow.
I received a review e-copy of this title from the publisher.
Monday, September 1, 2014
When Mystical Creatures Attack
Witty.Painfully funny.
Surprising on nearly every page, and so downright eccentric I felt like perhaps Kathleen Founds had somehow been possessed by the same perverse and brilliant muse that moved Douglas Adams and inspires Jasper FForde.
When Mystical Creatures Attacks blends whimsy and reality, raw emotion and unconventional storytelling to create something downright fabulous.
I usually do not go in for short stories, but these aren't short stories, they're glimpses through surreal windows that look out on a landscape that resembles, all too keenly, looking in.
The truth is, you'll pick it up because the cover is fabulous. That's what caught me. But you'll stick with it because it's excellent. Then, halfway through the first section, the essays from Ms. Freedman's class, you'll be flipping back to make sure you picked up a work of fiction, because each voice is so distinct, surely they couldn't all have been penned by the same woman. But they were. And then you'll be caught, just as surely as the unicorn on the cover.
I had the pleasure of reading an e-ARC of this title via Netgalley.
Friday, August 29, 2014
Cover Reveal: The Artisans by Julie Reece and Giveaway #M9BFridayReveals

Welcome to the Cover Reveal for
The Artisans by Julie Reece
presented by Month9Books!
Be sure to enter the giveaway found at the end of the post!

They say death can be beautiful. But after the death of her mother, seventeen-year-old RAVEN WEATHERSBY gives up her dream of becoming a fashion designer, barely surviving life in the South Carolina lowlands.
To make ends meet, Raven works after school as a seamstress creating stunning works of fashion that often rival the great names of the day.
Instead of making things easier on the high school senior, her stepdad's drinking leads to a run in with the highly reclusive heir to the Maddox family fortune, Gideon Maddox.
But Raven's stepdad's drying out and in no condition to attend the meeting with Maddox. So Raven volunteers to take his place and offers to repay the debt in order to keep the only father she's ever known out of jail, or worse.
Gideon Maddox agrees, outlining an outrageous demand: Raven must live in his home for a year while she designs for Maddox Industries' clothing line, signing over her creative rights.
Her handsome young captor is arrogant and infuriating to the nth degree, and Raven can't imagine working for him, let alone sharing the same space for more than five minutes.
But nothing is ever as it seems. Is Gideon Maddox the monster the world believes him to be? And can he stand to let the young seamstress see him as he really is?
The Artisans is a delectably rich, layered and dark YA Southern Gothic inspired by Jeanne Marie Leprince de Beaumont's classic Beauty and the Beast.
"The Artisans has all the elements I love - spooky intrigue, strong friendships, and a romantic tension to be savored." ~ Wendy Higgins, New York Times bestselling author of the Sweet Evil trilogy.
Title: The Artisans
Publication date: May 2015
Publisher: Month9Books, LLC.
Author: Julie Reece
Publication date: May 2015
Publisher: Month9Books, LLC.
Author: Julie Reece


Born in Ohio, I lived next to my grandfather’s horse farm until the fourth grade. Summers were about riding, fishing and make-believe, while winter brought sledding and ice-skating on frozen ponds. Most of life was magical, but not all.I struggled with multiple learning disabilities, did not excel in school. I spent much of my time looking out windows and daydreaming. In the fourth grade (with the help of one very nice teacher) I fought dyslexia for my right to read, like a prince fights a dragon in order to free the princess locked in a tower, and I won.Afterwards, I read like a fiend. I invented stories where I could be the princess... or a gifted heroine from another world who kicked bad guy butt to win the heart of a charismatic hero. Who wouldn’t want to be a part of that? Later, I moved to Florida where I continued to fantasize about superpowers and monsters, fabricating stories (my mother called it lying) and sharing them with my friends.Then I thought I’d write one down...Hooked, I’ve been writing ever since. I write historical, contemporary, urban fantasy, adventure, and young adult romances. I love strong heroines, sweeping tales of mystery and epic adventure... which must include a really hot guy. My writing is proof you can work hard to overcome any obstacle. Don’t give up. I say, if you write, write on!

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Friday, August 22, 2014
Cover Reveal: VESSEL by Lisa T. Cresswell and Giveaway #M9BFridayReveals

Welcome to the Cover Reveal for
VESSEL by Lisa T. Cresswell
presented by Month9Books!
Be sure to enter the giveaway found at the end of the post!

The sun exploded on On April 18, 2112 in a Class X solar storm the likes of which humankind had never seen.They had exactly nineteen minutes to decide what to do next.They had nineteen minutes until a geomagnetic wave washed over the Earth, frying every electrical device created by humans, blacking out entire continents, and every satellite in their sky.Nineteen minutes to say goodbye to the world they knew, forever, and to prepare for a new Earth, a new Sun.
Generations after solar storms destroyed nearly all human technology on Earth, humans reverted to a middle ages-like existence, books are burned as heresy, and all knowledge of the remaining technology is kept hidden by a privileged few called the Reticents.Alana, a disfigured slave girl, and Recks, a traveling minstrel and sometimes-thief, join forces to bring knowledge and books back to the human race. But when Alana is chosen against her will to be the Vessel, the living repository for all human knowledge, she must find the strength to be what the world needs even if it's the last thing she wants.
Title: Vessel
Publication date: May 2015
Publisher: Month9Books, LLC.
Author: Lisa T. Cresswell
Publication date: May 2015
Publisher: Month9Books, LLC.
Author: Lisa T. Cresswell


Lisa, like most writers, began scribbling silly notes, stories, and poems at a very young age. Born in North Carolina, the South proved fertile ground to her imagination with its beautiful white sand beaches and red earth. In fifth grade, she wrote, directed and starred in a play "The Queen of the Nile" at school, despite the fact that she is decidedly un-Egyptian looking. Perhaps that's why she went on to become a real life archaeologist?Unexpectedly transplanted to Idaho as a teenager, Lisa learned to love the desert and the wide open skies out West. This is where her interest in cultures, both ancient and living, really took root, and she became a Great Basin archaeologist. However, the itch to write never did leave for long. Her first books became the middle grade fantasy trilogy, The Storyteller Series. Her first traditionally published work, Hush Puppy, is now available from Featherweight Press.Lisa still lives in Idaho with her family and a menagerie of furry critters that includes way too many llamas!

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(Winners will receive their book on release day)
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